Chany's 2025 Trip
Indonesia (Java & Bali)

Indonesia is an archipelago in Southeast Asia, straddling the equator between the Indian Ocean and Pacific Ocean, south of Malaysia and the Philippines, and northwest of Australia. Java, the most populous island, lies in western Indonesia and hosts the capital, Jakarta. Bali, a smaller island known for tourism and culture, is located just east of Java, separated by the narrow Bali Strait.

Table of Contents

• Jakarta (September 25 - September 30)
• Bandung (September 30 - October 3)
• Yogyakarta (October 3 - October 7)
• Surabaya (October 7 - October 10)
• Banyuwangi (October 10 - October 13)
• Kuta/Denpasar (October 13 - October 19)


• Foods of Indonesia
• Transportation
• Miscellaneous Observations & Comments
• My Accommodations
• Indonesia Trip 2025 - Epilogue

Click here for a calendar view of my trip itinerary.

Jakarta, Indonesia's sprawling capital on Java's northwest coast, is a dynamic megacity of 11 million (metro 35 million). A melting pot of cultures, it blends gleaming skyscrapers, colonial Kota Tua, and vibrant street life. Key landmarks include Monas, Istiqlal Mosque, and Ancol's beaches. Traffic-clogged yet innovative, it is sinking due to groundwater extraction but pushing forward with MRT expansion and a new capital shift to Nusantara. From glitzy malls to Betawi traditions, Jakarta pulses as the nation's economic, political, and cultural heart.

The Jakarta sign shown here is located on the west side of Lapangan Banteng Park. The sign is a good place for tourists to have their picture taken at.

The National Monument of Indonesia (Monas), Jakarta's iconic 132-meter obelisk in Merdeka Square, symbolizes Indonesia's independence struggle. Topped by a 14.5-ton flame coated in 50 kg of gold, it was built 1961–1975 under Sukarno. An elevator ascends to a 11x11-meter observation deck offering panoramic city views. The base houses a museum with 51 dioramas depicting Indonesia's history from prehistory to independence. Surrounded by 80-hectare Merdeka Park, it is a patriotic landmark lit spectacularly at night, drawing locals and tourists for reflection and recreation.

Glodok, Jakarta's historic Chinatown, originated in the 17th century when the Dutch VOC confined Chinese migrants outside Batavia’s city walls. It became a bustling trade hub, especially after the 1740 massacre forced survivors to relocate there. Despite anti-Chinese riots (notably 1965–66 and 1998), Glodok endured as Indonesia’s largest Chinatown.

Today, it centers around Jalan Pancoran and Petak Sembilan, famous for traditional markets, street food (kue keranjang, sekba), herbal medicine shops, and historic temples like Vihara Dharma Bhakti (1650, oldest in Jakarta) and Toa Se Bio (Vihara Toa Se Bio), a beautiful 18th-century temple dedicated to Guanyin with intricate carvings and vibrant ceremonies. Though many old shophouses were damaged in 1998, Glodok remains vibrant with Chinese-Indonesian culture, electronics trade, and pre-Chinese New Year festivities.

There were turtles for sale there; are they being sold as pets or for food?

The National Museum of Indonesia in Jakarta, founded in 1778 by the Bataviaasch Genootschap as Asia’s oldest museum, evolved from a Dutch colonial scholarly society. Rebuilt in 1868 after a fire, it gained its iconic “Elephant Building” in 1871 from King Chulalongkorn’s gift. Nationalized in 1962, it expanded with a 1990s wing.

Collections span 140,000+ artifacts: prehistoric tools, Hindu-Buddhist statues (Borobudur replicas), Majapahit gold, ethnographic textiles, ceramics from China and Vietnam, and royal treasures. Four floors cover archaeology, ethnography, numismatics, and geography, showcasing Indonesia’s diverse heritage.

Entry: Rp50,000 [CAD $4.35]

Located in front of the National Museum of Indonesia is the sculpture, Ku Yakin Sampai Di Sana ("I Believe I Can Get Here"), a gray, spiral-shaped (or "swirl"-like) bronze and brass structure, often described as evoking a powerful vortex or whirlpool. It is a metaphor for Indonesia's journey toward progress. The swirling design represents the fierce currents of struggle in the nation's history, channeling the spirit and hard work of its people as they navigate challenges to reach a brighter future.

I found it to be an interesting looking sculpture, and served as a popular photo spot for visitors to the museum.

The West Irian Liberation Monument in Jakarta, unveiled in 1963 by President Sukarno, commemorates Indonesia’s 1962 New York Agreement victory, ending Dutch control over West Papua (West Irian). Designed by artist Edhi Sunarso, the 40-meter bronze statue depicts a man breaking chains skyward, symbolizing freedom and national unity after the Trikora military campaign.

Located in Lapangan Banteng, it reflects Sukarno’s anti-colonial ideology and claim to complete the archipelago. Restored in 2014, it remains a potent emblem of sovereignty, though controversial amid ongoing Papuan autonomy debates.

Taman Fatahillah, Jakarta's historic heart in Kota Tua, is a cobblestone square once known as Stadhuisplein in Dutch colonial Batavia. Named after 16th-century hero Fatahillah, who ousted the Portuguese, it features grand 17th-19th century buildings: the bell-towered Jakarta History Museum (former town hall), Wayang Museum with Java's finest puppet collection, and Museum of Fine Arts and Ceramics. A car-free haven, it buzzes with street performers, vendors, and cafés like Café Batavia, offering prime people-watching amid colonial charm and cultural events.

I took these photos in the morning when there was few people around; in the evening, the square comes to life and is crowded with families hanging out at Taman Fatahillah.

The Galeri Nasional Indonesia in Jakarta serves as a national cultural-education facility for visual arts. Its core purpose is to protect, develop, and promote Indonesian artistic heritage, cultivating creativity and art appreciation among the public.

The gallery's collection is extensive, boasting over 1,700 artworks (paintings, sculptures, ceramics, installations, etc.).

Entry: Free for 60+ (Me!)

Bandung, West Java's vibrant capital, sprawls amid volcanic mountains at 768 meters elevation, earning its "Paris of Java" nickname for colonial Art Deco architecture and cool climate. Home to 2.5 million, this creative hub pulses with universities, tech startups, and fashion outlets. Iconic sites include the Geology Museum, Tangkuban Perahu volcano, and tea plantations. Known for sundanese cuisine, street art, and factory outlets, Bandung blends heritage (Gedung Sate) with modern cafes and music scenes, drawing weekenders from Jakarta for its scenic escapes and cultural festivals.

The Geology Museum (Museum Geologi) in Bandung, Indonesia, founded in 1929 by Dutch colonial authorities, is a premier educational hub showcasing Indonesia's geological wonders. Housed in a historic two-story building on Jalan Diponegoro No. 57, it boasts over 200,000 specimens amassed since 1850, including ancient fossils (like a 3.5-billion-year-old stromatolite and T. rex replica), vibrant minerals, rocks, and interactive relief maps of mineral resources. Exhibits highlight Earth's history, natural disasters, and resource benefits, drawing visitors to explore volcanic, seismic, and prehistoric treasures in an engaging, artistically arranged space.

During my visit to Museum Geologi, there were many school kids and students there to learn about the geology of Indonesia.

Entry: Rp25,000 [CAD $2.17]

Gedung Sate, an iconic landmark in Bandung, West Java, was constructed between 1920 and 1924 during the Dutch colonial era as part of a plan to relocate the administrative capital from Batavia (now Jakarta) to Bandung, transforming the city into a hub for government and military activities.

Gedung Sate currently serves as the main office of the Governor of West Java Province (Kantor Gubernur Jawa Barat) and houses key provincial government departments.

The Gedung Sate Museum is specifically dedicated to the history, architecture, and construction of Gedung Sate itself.

Museum of the Asia Africa Conference

The museum, site of the Asia Africa Conference (Konferensi Asia-Afrika) that was held in April 1955, now preserves, studies, and displays artifacts from the event. It was a historic gathering of 29 Asian and African nations, many newly independent from colonial rule.

The conference aimed to promote Afro-Asian economic and cultural cooperation and oppose colonialism or neocolonialism by any nation. It established the "Ten Principles of Bandung," which emphasized peace, self-determination, and non-alignment in the Cold War, laying the foundation for the Non-Aligned Movement.

The Ten Principles of Bandung are:

1. Respect for fundamental human rights and for the purposes and principles of the charter of the United Nations.
2. Respect for the sovereignty and territorial integrity of all nations.
3. Recognition of the equality of all races and of the equality of all nations large and small.
4. Abstention from intervention or interference in the internal affairs of another country.
5. Respect for the right of each nation to defend itself, singly or collectively, in conformity with the charter of the United Nations.
6. (a) Abstention from the use of arrangements of collective defense to serve any particular interests of the big powers.
   (b) Abstention by any country from exerting pressures on other countries.
7. Refraining from acts or threats of aggression or the use of force against the territorial integrity or political independence of any country.
8. Settlement of all international disputes by peaceful means, such as negotiation, conciliation, arbitration or judicial settlement as well as other peaceful means of the parties' own choice, in conformity with the charter of the United Nations.
9. Promotion of mutual interests and cooperation.
10. Respect for justice and international obligations.

I think the "Ten Principles" are good and are being violated regularly in the present.

Entry: Free

Located at the corner of Jalan Asia Afrika and Jalan Alun-Alun Timur, the Asia Africa Monument (Tugu Asia Afrika) commemorates Bandung's role as the host of the 1955 Asia-Africa Conference (Konferensi Asia-Afrika), where leaders from 29 Asian and African nations gathered to promote solidarity, decolonization, and non-alignment. The monument serves as a reminder of this pivotal event and Bandung's colonial-era origins.

Braga Street (Jalan Braga) is a street in the center of Bandung, Indonesia, famous in 1920s colonial Indonesia as a promenade street. A European ambiance of chic cafes, boutiques, and restaurants along the street propelled Bandung to attain the Dutch nickname Parijs van Java ("Paris of Java"). There were artists displaying and selling paintings on the street.

Already busy in the daytime, when evening comes, the street is gridlock with cars, open air buses, and motorbikes, and the sidewalks are crowded with pedestrians. There was a lot of street food options. This street was the happening place in Bandung.

The Sudirman Street Day & Night Market is a bustling, semi-open-air culinary hub in the heart of Bandung, Indonesia, celebrated for its vibrant street food scene blending local Sundanese flavors with international influences. Established around 2015, it serves as a go-to spot for both locals and tourists seeking affordable, diverse eats in a lively evening atmosphere

The Women's Militia Statue (Patung Laskar Wanita) and Student Soldier Statue (Patung Tentara Pelajar), standing side by side in Bandung’s Viaduct plaza (located 600m east of the Bandung Train Station), together embody the spirit of youth, sacrifice, and total resistance during Indonesia’s fight for independence (1945–1949).

Bandung was West Java’s revolutionary capital, site of one of Indonesia’s most iconic acts of defiance, and cradle of the legendary Siliwangi Division that helped secure final Dutch recognition in 1949.

Yogyakarta, Java’s cultural soul, was founded in 1755 as the seat of the Mataram Sultanate after its split. Ruled by the Hamengkubuwono dynasty, the Kraton palace remains a living royal court. It led Indonesia’s 1945–49 independence struggle, briefly serving as the republic’s capital (1946–48). Home to UNESCO-listed Borobudur (9th-century Buddhist) and Prambanan (Hindu) temples, it’s a bastion of batik, gamelan, and wayang (shadow puppets).

This Yogyakarta sign was located just east of the Yogyakarta train station and was a great place for tourists to get their picture taken at.

Borobudur Temple, a 9th-century Mahayana Buddhist Temple in Central Java, Indonesia, was built 800–850 CE under the Sailendra dynasty. The world’s largest Buddhist temple, it’s a three-tiered stone pyramid with 9 stacked platforms, 72 stupas, and over 2,600 relief panels depicting karma, enlightenment, and the Buddha’s life. Abandoned after being buried by ash from eruptions of Mount Merapi in ~1006 CE and 14th-15th Century, and Islam’s rise in the 14th century, it was rediscovered in 1814 by Sir Stamford Raffles. Restored by UNESCO (1973–1983), it’s now a UNESCO World Heritage Site and Indonesia’s most visited landmark. Symbolizing the path to nirvana, it hosts annual Vesak celebrations.

Inside each of the 72 small, perforated bell-shaped stupas, which line the three circular terraces (the Arupadhatu or "Realm of Formlessness"), is a seated Buddha statue. The perforated stone lattice allows a partial view of the Buddha inside, symbolizing the formlessness and spiritual detachment of the highest level of Buddhist cosmology. One of the stupas was removed to clearly show the Buddha inside, performing the "Turning the Wheel of Dharma" gesture.

The reliefs of Borobudur (over 2,670 individual panels) form the world’s longest Buddhist narrative sequence, telling the path to enlightenment in Mahayana tradition. They are read clockwise, starting from the eastern gate. The reliefs illustrate cause-and-effect (karma), the Buddha’s life, and the journey from worldly existence to Nirvana.

Borobudur Temple was a very busy site with a lot of tourists. We were issued upanat sandals to wear (included in the Rp455,000 [CAD $39.57] entry); they are special woven sandals, often made from materials like pandan leaves and an eva sponge base, designed to minimize friction and prevent wear and tear on the ancient stone steps and floors of the temple. The design was even inspired by a relief carving found on the temple itself. The sandals top strap rubbed and abrased the top of my foot; ouch!

Prambanan Temple, a 9th-century Hindu Temple in Central Java, was built 850 CE by the Sanjaya dynasty of the Medang Kingdom as a rival to Buddhist Borobudur. Dedicated to Shiva, Vishnu, and Brahma, its 240 temples form a grand complex dominated by three towering 47-meter shrines adorned with intricate Ramayana reliefs. Abandoned after the volcanic eruptions of Mount Merapi and power shifts (10th century), it crumbled until Dutch rediscovery in the 1800s. Major UNESCO-backed restoration (1937–1993) revived the main compounds. Now a UNESCO World Heritage Site, it hosts the epic Ramayana Ballet under full-moon skies. Indonesia’s largest Hindu temple, it symbolizes eternal devotion.

The Shiva Temple (Candi Shiva Mahadeva), the tallest and central shrine in Prambanan’s inner zone (38 m high), is the complex’s magnificent centerpiece, dedicated to Shiva the Destroyer. Inside its eastern chamber stands a majestic four-armed Shiva statue on a yoni pedestal with a coiled serpent, symbolizing cosmic power and regeneration. In the northern chamber resides a finely carved, four-armed Ganesha (Shiva’s elephant-headed son), seated on a throne with his broken tusk, bowl of laddoos, axe, and rosary. This 9th-century statue, richly detailed and perfectly proportioned, remains one of Indonesia’s most beloved Hindu icons, embodying wisdom and obstacle-removal.

Though Prambanan Temple is typically not as busy as Borobudur Temple, it seemed quite busy during my visit to the site. The entry fee to the Prambanan Archaeological Park was Rp400,000 [CAD $34.78].

Buddhist Temples North of Prambanan

North of the grand Hindu Prambanan Temple in Yogyakarta lie three important 8th–9th-century Buddhist temples that together formed a major religious enclave during the Medang Kingdom:

Lumbung Temple (460 m north of Prambanan): a 9th-century Buddhist temple in the Prambanan complex. Named “Lumbung” (warehouse) for its granary-like shape, it features one restored main temple with a polygonal base, surrounded by 16 smaller perimeter temples (most still in ruins). A quiet, lesser-visited site near Sewu Temple.

Bubrah Temple (175 m north of Lumbung): is a small 9th-century Buddhist temple in the Prambanan complex. Originally part of the Sewu Temple compound, it was rediscovered in ruins (“bubrah” means “ruined” in Javanese) and partially restored. It features a single stupa-like structure on a square base, surrounded by smaller perimeter temples.

Sewu Temple (285 m north of Bubrah): the largest and oldest, a magnificent mandala complex of 249 temples centered on a massive cruciform main shrine — Indonesia’s second-largest Buddhist site after Borobudur.

Built slightly earlier than or contemporary with Prambanan, these three Buddhist complexes highlight the remarkable Hindu-Buddhist religious harmony of the era and are all enclosed within the Prambanan archaeological park.

There were not many tourists that visited these temples, so visiting these temples was a nice respite from the crowds that were at the Prambanan Temple complex.

The Yogyakarta Kraton (Royal Palace), founded in 1755 by Sultan Hamengkubuwono I after the Giyanti Treaty split Mataram, served as the royal seat and political heart of the Yogyakarta Sultanate, surviving colonial rule and revolution. Rebuilt post-2006 earthquake, its pavilions blend Javanese cosmology with Islamic and Hindu motifs.

Today, the 10th Sultan resides here; the palace functions as a living museum of regalia, gamelan, wayang, and batik, hosts cultural performances, and upholds traditions like the Sekaten festival. It remains the sultanate’s administrative center, symbolizing Yogyakarta’s special autonomous status.

The Dwarapala statues at the Kraton are fearsome guardian deities placed at the entrance gates. As "door guards" (Dwarapala), their primary purpose is to protect the royal compound from evil spirits, threats, and dangers. They are typically depicted as stocky, fierce giants or demons (raksasa) with bulging eyes and intimidating expressions.

The Bangsal Manis (Sweet Pavilion) is a significant pavilion of the Yogyakarta Kraton; the primary historical and current function of Bangsal Manis is to serve as the location for official royal banquets and formal dinners (perjamuan resmi kerajaan). It is where the Sultan hosts and entertains important guests, often high-ranking officials or foreign dignitaries. Adorning the entrance to the pavilion is the face of Kala, a fierce, protective ogre face in Javanese and Balinese art, representing time and the warding off of evil spirits. On each side of Kala are a golden Naga, a divine, serpentine being in Javanese and general Asian mythology, symbolizing water, fertility, protection, and the underworld. They are often crowned and serve as temple guardians.

During my visit to the Kraton, there was a Srimpi Dance being performed at the Bangsal Sri Manganti (Royal Waiting Pavilion). I've included a video clip of the part of the dance when the Keris Dagger Fight occurs (warning: it is violent!). The dance music is performed by the Gamelan (Indonesia’s traditional orchestral ensemble, consisting mainly of tuned bronze percussion instruments — gongs (gong ageng, kempul), metallophones (saron, gender, bonang), xylophones (gambang), drums (kendang), bamboo flute (suling), and spiked fiddle (rebab)).

Entry: Rp25,000 [CAD $2.17]

Museum Sonobudoyo, established in 1935 in Yogyakarta, Indonesia, is a premier state museum dedicated to Javanese history and culture, boasting the second-most complete collection of artifacts after Jakarta's National Museum. Housed in traditional Javanese architecture north of the Kraton, it features over 43,000 items including wayang kulit puppets, keris daggers, batik textiles, ancient ceramics, masks, bronze sculptures, and weapons from Java, Madura, Bali, and Lombok.

I actually went to this museum to see a wayang (puppet) show, but unfortunately the museum now only has wayang shows once a week, and the day I went was not the day. The museum sign doesn't mention this, just that there are puppet shows ("Pergelaran Wayang"). 😐

Entry: Rp20,000 [CAD $1.74]

Tugu Yogyakarta, also known as Tugu Pal Putih or White Pillar Monument, is an iconic landmark at the intersection of Jl. Jend. Sudirman, Jl. Margo Utomo, Jl. Pangeran Mangkubumi, and Jl. Diponegoro in central Yogyakarta. Built in 1755 by Sri Sultan Hamengkubuwono I as Tugu Golong-Gilig (cylindrical pole with round top, 25m tall), it symbolized Manunggaling Kawula Gusti—unity of ruler and people—aligning the palace, Mount Merapi, and South Sea in a philosophical axis.

An 1867 earthquake destroyed it; rebuilt in 1889 under Dutch influence and Sultan HB VII as a shorter (15m) square pillar with pointed conical top, renamed for its white paint (allegedly to erode unity, unsuccessfully). Renovated in 2012 with gold accents. A UNESCO-related site, it embodies Javanese cosmology and Yogyakarta's resilience.

Surabaya, Indonesia’s second-largest city and East Java’s capital, is a major port on the Madura Strait with 3 million residents (metro >10 million). Nicknamed “City of Heroes” for the fierce 1945 Battle of Surabaya that ignited national independence, it embodies the motto “Sura ing Baya” (shark vs crocodile). Founded in 1293 after Raden Wijaya’s victory over Mongols, it grew from a Majapahit port to the Dutch East Indies’ largest city. Today a trade and industrial hub (shipbuilding, textiles, Islamic finance), it features the Suramadu Bridge (2009) and green innovations. Culturally rich with Javanese, Madurese, Chinese and Arab influences, it celebrates Heroes’ Day every November 10.

Monumen Kapal Selam (Submarine Monument), located on the banks of the Kalimas River in central Surabaya, features the genuine Soviet-built KRI Pasopati 410, a Whiskey-class submarine launched in 1952 and used by the Indonesian Navy from 1962 until decommissioning in 1990. Purchased in 1959 as part of Indonesia’s “Monumen Ganyang Malaysia” fleet, it participated in covert operations during the 1960s Confrontation.

In 1996, the Surabaya city government cut the hull into sections, transported it overland, and reassembled it as a museum in 1998. Visitors can tour the interior, seeing torpedo tubes, periscopes, and crew quarters. A national heritage site and popular tourist spot, it symbolizes Indonesia’s naval strength and maritime pride.

Being a relatively tall person, I had to be careful navigating through the submarine, as there was little headroom and the doors were small. It was interesting see the inside of the submarine.

Entry: Rp25,000 [CAD $2.17]

Museum Sepuluh Nopember (Tenth November Museum) in Surabaya, inaugurated in 2001 by the city government, honors the November 10, 1945 Battle of Surabaya, a pivotal WWII clash that galvanized Indonesia’s independence struggle against Allied forces. Housed in a former Dutch bank, it expanded in 2015.

Collections include 1,000+ artifacts: original weapons, uniforms, dioramas of Bung Tomo’s radio broadcasts, British tanks, and heroic statues of fighters. Multimedia exhibits detail the 3-week urban guerrilla war, showcasing civilian sacrifices and national heroism. It educates on patriotism and Surabaya’s “Hero City” title.

The Patung Gugur Bunga (Fallen Flower Statue) is a statue depicting the struggle and sacrifice of Indonesian fighters during the Battle of Surabaya on November 10, 1945. The warriors are shown in dynamic "fall and rise" positions; some falling in battle, others rising resiliently, symbolizing unyielding spirit.

The Tugu Pahlawan, a 41-meter inverted nail monument in Surabaya, was unveiled in 1952 by President Sukarno to honor November 10, 1945 battle heroes. Adjacent to Museum Sepuluh Nopember, it symbolizes resilience and sacrifice in Indonesia’s independence fight.

Entry: Rp15,000 [CAD $1.30]

Surabaya Chinatown, centered on Kya-Kya Kembang Jepun, emerged in the 1740s when Dutch VOC segregated Chinese traders into a walled quarter near the old port. Peranakan communities thrived on shipping, opium farms, and trade until 1740 massacres. Revived under Daendels (1808), it boomed with 19th-century sugar and tobacco. The 1910s “Pecinan” featured shophouses, temples (Klenteng Hong Tiek Hian, 1800s), and kongsi. Post-1965 anti-Chinese policies dimmed vibrancy; revitalized in 2004 as a night food market, it now blends heritage architecture, street eats, and cultural festivals.

Surabaya Zoo (Kebun Binatang Surabaya), opened in 1916 by the Dutch as Soerabaiasche Planten-en Dierentuin on 35 hectares, was Southeast Asia’s largest until WWII bombings. Nationalized in 1950, it peaked with 4,000 animals and it is believed it currently houses around 2000 animals.

Collections today feature 300 species including Komodo dragons, Sumatran tigers, ostriches, orangutans, and rare birds. Highlights are: nocturnal house, aquarium, and conservation breeding programs.

The Zoo has faced severe, ongoing controversies over animal housing conditions since the early 2010s, earning the nickname "Zoo of Death." Key issues include overcrowding and poor enclosures, malnutrition and neglect, high mortality, and management failures and funding.

Entry: Rp15,000 [CAD $1.30]

Banyuwangi, at Java’s eastern tip (formerly Ketapang), traces to the 13th-century Blambangan Hindu kingdom, resisting Majapahit then Islam until Dutch conquest in 1771. A VOC opium port, it boomed with 19th-century coffee and rail links.

Now a vibrant regency of 1.7 million, it’s Indonesia’s ferry gateway to Bali, famed for Gandrung dance, Ijen crater tours, and Osing culture. Eco-resorts, beaches, and the annual Jazz Ijen festival drive tourism.

Kawah Ijen is an active volcanic crater lake in East Java, Indonesia, renowned for its turquoise, highly acidic waters (pH ~0.5) and sulfur mining. Electric-blue flames, caused by sulfuric gases igniting at temperatures over 360°C, burn persistently and best viewed at night — the world’s largest such phenomenon. These originate from fumaroles venting sulfur-rich gases from the magma chamber, which condense into liquid sulfur. Miners manually extract the sulfur amid toxic conditions. The volcano remains active, with phreatic eruptions recorded; its last major activity was in 1993. Tourists visit for the flames and lake, but safety risks persist.

Starting at 2 AM, the hike begins at the entrance gate and goes for 3.3 km, ascending 425 m (average 13% grade) on a moderately sloped dirt trail to the edge of the caldera. From the caldera down into the crater to the fumarole is 0.4 km, descending 135 m (average 34% grade) on rocks with no defined trail.

Once at the fumarole, I donned my gas mask and goggles to protect me from the sulfuric gases being expelled. Even with the protection, when the wind shifted and the gas blew directly into my face, the eyes stung and breathing was difficult. Once the wind was blowing in a favourable direction, one can finally observe the "blue flame". The blue flame was interesting. The bluish flames appeared to be flowing down the rocks, like a stream of fire.

As sunrise approached, I ascended out of the crater and was treated to a nice daytime view of Kawah Ijen; a sign indicates that where I was, it was 2386 meters above sea level.

Transport & Guide & Gas Mask & Entry: Rp350,000
Medical Test: Rp50,000
Goggle Rental (Optional): Rp25,000

--- Total: Rp425,000 [CAD $36.96]

Kuta, Bali, is the iconic beach resort on the island’s south coast, famous for its wide, golden-sand beach with consistent surf breaks ideal for beginners. Once a quiet fishing village, it exploded in the 1970s as Australia’s backpacker hub and now pulses with hotels, bars, nightclubs, and the bustling Kuta Square shopping strip. Sunset views draw crowds to the shore, while nearby Waterbom Park and Beachwalk mall add family appeal. Traffic congestion and touts are common, yet Kuta remains Bali’s lively gateway for sun, surf, and nightlife.

Kuta Beach, Bali’s legendary 5-km golden-sand stretch, offers powerful, beginner-friendly waves, vibrant sunsets, and a pulsing surf culture born in the 1970s. Lined with warungs, surf schools, and beach clubs, it buzzes day and night.

The Bali Museum, established in 1931 by Dutch colonial authorities with Balinese royal support, preserves Bali's cultural heritage amid rapid modernization. Located in Denpasar, it comprises four pavilions in traditional palace style: Tabanan (textiles, looms), Karangasem (archaeological artifacts, prehistoric tools), Buleleng (theatrical masks, costumes), and Gedong Timur (Hindu-Balinese art, paintings, sculptures). Collections span stone sarcophagi, bronze artifacts, wayang puppets, and ceremonial objects, showcasing Bali's Hindu, animist, and ancestral influences. It survived WWII damage and remains a vital educational repository.

Cili are diamond-shaped figures of Dewi Sri, goddess of rice and fertility. Woven from palm leaves or made of clay or wood, they feature a pointed head, wide body, and fringed skirt, symbolizing abundance in Balinese offerings and rituals. The Cili Statues here that are shown grabbing their breasts is a bold, sacred declaration of maternal abundance, merging ancient fertility magic with Hindu tantric symbolism. It is meant to startle, protect, and ensure that life — human and agricultural — continues to flow.

The Barong Keris Diorama depicts the Barong Keris dance-ritual, which dramatizes the eternal battle between good (Barong) and evil (Rangda). Barong, a benevolent lion-like beast, protects the village with playful, chaotic energy. Rangda, the terrifying widow-witch, embodies destructive forces. Dancers in trance wield keris daggers, turning them inward in self-stabbing frenzy, yet remain unharmed, symbolizing spiritual invulnerability. Rooted in Calon Arang myth, it restores cosmic balance (rukun), purifies the community, and wards off plague or misfortune. Performed at temples during crises or festivals.

Admission: Rp100,000 [CAD $8.70]

Established in 2012 by concerned youth groups in Sanur's Sindu Beach, the Sindu Dwarawati Turtle Conservatory emerged from community efforts to safeguard declining sea turtle populations amid tourism pressures and past illegal trade, banned since the 1980s scandal. Once a key nesting site, Sanur's beaches now see fewer egg-layings due to habitat disruption.

Its purpose: Rescue injured turtles (like hawksbills and greens), incubate and hatch eggs in protected sandpits, rear hatchlings to evade predators, and release them into the ocean. It educates visitors on conservation, partners with groups like Hyatt Regency, and supports Bali's marine biodiversity efforts—free entry, donations encouraged.

Upside Down World Bali, opened around 2016 in Denpasar near Ngurah Rai Bypass, is Bali's inaugural inverted house attraction, inspired by global optical illusion museums. Amid the island's tourism boom, it caters to social media-savvy visitors seeking whimsical escapes.

This indoor venue features seven cleverly designed rooms: master bedroom, kitchen, laundry, dining area, and a 90-degree Balinese garden with ornate carvings—where furniture clings to ceilings, defying gravity for mind-bending photos.

It was a bit silly, but also funny in a goofy sort of way!

Admission: Rp100,000 [CAD $8.70]

The Museum Becak Indonesia in Kuta, Bali, is a unique cultural attraction and the first and only museum in Indonesia dedicated to the becak, the traditional three-wheeled pedicab. Opened on 2012 December 12, it currently houses a collection of 8 becaks sourced from various Indonesian provinces, including Makassar, Yogyakarta, Surabaya, and Semarang.

The museum aims to preserve the history of this traditional mode of transportation, which is being phased out by modern vehicles, ensuring future generations can still see and learn about it. It also tells the stories of the becak drivers.

The museum is located in the lobby of the Losari Hotel Sunset Road Bali, and the admission is free.

Rendang Sapi is the classic Indonesian beef rendang; a rich, slow-cooked dry curry from West Sumatra (Minangkabau cuisine) that is widely considered one of Indonesia’s national dishes and often ranked among the world’s most delicious foods.

Main ingredient: Sapi = beef (usually chuck, brisket, or topside; tough cuts that tenderize during long cooking)

Cooking method: Beef is simmered for 3 to 6 hours in coconut milk and a complex spice paste (bumbu) until the liquid evaporates, the meat absorbs the flavors, and the sauce turns into a dark, caramelized crust.

Texture: Falls apart tender, not saucy; the coconut milk reduces to kerisik (toasted coconut residue) that clings to the meat.

Price: Rp32,900 [CAD $2.86] (Restaurant)

Soto Ayam is Indonesia’s iconic chicken soup. It has a fragrant, turmeric-tinged clear broth served with rice or noodles, shredded chicken, and a rainbow of fresh toppings. It is breakfast, lunch, street food, and comfort food all in one, with hundreds of regional variations.

Price: Rp15,000 [CAD $1.30] (Warung)

Iga Bakar is a popular Indonesian grilled dish featuring beef short ribs (iga sapi) that are slow-cooked or simmered first until tender, then finished on a charcoal grill and basted with a sweet-soy glaze. It’s especially beloved in Jakarta, Bandung, and across Java, and is a staple at many roadside warung, restaurants, and family gatherings.

Iga means ribs (typically beef short ribs, but sometimes pork or lamb, especially in non-Muslim majority regions like Bali).

Bakar means grilled or roasted (over charcoal).

Price: Rp49,665 [CAD $4.32] (Restaurant)

Cireng Isi is a street food classic from West Java (Sundanese cuisine), especially Bandung, where it’s sold by the thousands from kaki lima carts. The exterior is a fried tapioca dough (aci digoreng), making it chewy, crispy outside and soft inside. The filling is usually a spicy minced chicken/beef, cheese, sausage, or oncom (fermented tempeh).

Price: Rp5,000 [CAD $0.43] (Street Food)

Sate Samcan Manis is an Indonesian sweet pork-belly satay from Manado (North Sulawesi) — juicy, fatty pork belly cubes skewered and grilled over charcoal and glazed with kecap manis (sweet soy sauce) for a sticky, caramelized shine.

Price: Rp12,000 [CAD $1.04] each (Warung)

Tahu Kocek is a street-food gem from Semarang, Central Java, made by poking (kocek) a block of fried tofu and stuffing it with a spicy, tangy filling. It is crispy outside, spongy inside.

Price: Rp7,000 [CAD $0.61] (Street Food)

Bebek Goreng & Nasi is a classic Indonesian rice plate featuring crispy fried duck (bebek goreng) marinated in turmeric and spices, served with steamed white rice with fiery sambal, fresh lalapan (cucumber, basil), and often tempeh or pickled veggies.

A hearty, flavorful staple in Javanese warungs and restaurants.

Price: Rp38,000 [CAD $3.30] (Restaurant)

Tempong Lele is a spicy East Javanese rice plate from Banyuwangi. A crispy whole fried catfish (lele) is served with steamed rice, fresh/boiled lalapan (basil, cucumber, spinach), and a raw, pounded sambal tempong made of bird’s eye chilies, shallot, shrimp paste, and lime. The sambal is so fiery it’s said to “slap” (tempong) your face. It is a bold, authentic Osing warung classic.

Price: Rp18,000 [CAD $1.57] (Warung)

Es Teh (Ice Tea) is Indonesia’s national drink, and is commonly enjoyed with friends, family, or colleagues.

Ubiquitous: Served at almost every warung, restaurant, and street cart.

Affordable: Rp3,000–15,000 [CAD $0.26-$1.30] per glass, making it often cheaper than bottled water.

Super sweet: Es Teh Manis (iced sweet tea) matches Indonesian taste for bold sugar.

Cultural default: Ordered automatically with meals (like “Coke” in the U.S.).

A variation is Es Teh Jeruk, an Indonesian iced tea with orange juice. It is specifically fresh-squeezed jeruk nipis (kaffir lime), not a regular orange.

One of the street vendors I bought Es Teh from gave it to me in a bag instead of a cup. Well, at least I got a plastic straw to drink it with! You poke a hole at the top of the bag with the straw to drink it.

Es Teh became my "go to" beverage to cool off in hot humid Indonesia.

Mie Instan (Instant Noodles) are not an Indonesian food, but played an important role as a food source for me during my stay at hostels. I would typically have instant noodles for breakfast if the hostel did not provide breakfast. In Indonesia, they typically include flavoured oil and chili powder with the noodles, making it spicy. All hostels had hot water available for making instant noodles.

I had round trip flights on Cathay Pacific from Vancouver, Canada, to Jakarta, Indonesia, via Hong Kong. It was generally a good flight with decent airline meals and legroom. For the flight from Vancouver to Hong Kong, I was lucky enough to have a row of 3 seats to myself, so needless to say, I actually got some sleep in on this flight. I was not so lucky on the other flights, but at least I didn't get stuck in a middle seat on any of my other flights.

I made use of City Buses in Jakarta, Yogyakarta, Surabaya, and Kuta/Denpasar. The buses were modern, clean, and the good air conditioning aboard provided much relief from the heat and humidity.

The buses are cashless; I acquired an RFID Contactless E-Money Card (BRIZZI) to pay for bus fares. The Jakarta bus fare was Rp3,500 [CAD $0.30], whereas the bus fare in Kuta was Rp4,400 [CAD $0.38].

I took an Intercity Bus to get from the Bali ferry terminal to Denpasar. The 122 km distance was covered in 4.5 hours. The bus looked nice from the outside, but was pretty crappy on the inside as it was old and there was no legroom for a tall person. Needless to say, it was not a comfortable ride.

The fare was Rp56,000 [CAD $4.87].

The Angkot (short for angkutan kota, meaning "city transport" in Indonesian) is a type of shared minibus or van commonly used as public transportation in Indonesia. These vehicles are modified minivans with 8–12 passenger seats. They usually have fixed routes (often marked by a number or color code) but stops anywhere along the way to pick up or drop off passengers. They are often privately owned and managed by individuals or cooperatives, and operate without government subsidies. The typical fare for riding an angkot was Rp5,000 [CAD $0.43].

The angkot is not made for tall people; for reference, here I am getting out of an angkot, which required a bit of nimbleness and flexibility. There was little to no headroom inside angkots for me.

I took the Ferry to get from Ketapang, Java to Gilimanuk, Bali. The ferry runs every 20 minutes and cost me Rp20,000 [CAD $1.70]; I think I got ripped off as I bought the ticket from the hostel, and it should've been Rp10,600 [CAD $0.92].

The ferry ride was uneventful and seemed to cross the Bali Strait really slowly. There was plenty of leg room for me on the ferry.

Intercity Train PT Kereta Api Indonesia (KAI), Indonesia's state-owned railway operator, manages an extensive network primarily on Java (3,370 km integrated lines).

Taking the intercity train on Java is the simplest and fastest way to get around the island (versus taking a bus). It is a little more expensive than taking a bus, but it avoids the traffic jams and has a lot of leg room. The longest train ride I took was from Bandung to Yogyakarta, at 382 km and taking 7 hours; the fare was Rp345,000 [CAD $30.00].

I thought the Indonesian train stations were somewhat clean and signage was decent, though it can get crowded and hectic and there was no air conditioning (it was very warm in the train stations). The condition of the trains were OK and were air conditioned. I enjoyed taking trains to travel between cities.

The Commuter Train system has grown into Indonesia's busiest rail network, serving over 300 million passengers annually (331 million in 2023). The commuter train shown here is the one from the airport to downtown Jakarta with a fare of Rp75,000 [CAD $6.52]. This was a lot more expensive than taking multiple city buses to get into town, but it was the simplest way for a newly arrived tourist to get into town.

The Motorbike (scooter/motorcycle) is the dominant mode of transport across Java and Bali, serving as the backbone of mobility for residents and tourists alike.

Its prevalence is driven by affordability, practicality, and efficiency in navigating dense traffic and narrow urban/village alleys. Inexpensive models and low operating costs make it accessible to most incomes. The result is a vibrant, yet often congested, streetscape where the motorcycle is integral to daily commerce, personal travel, and the popular ride-hailing services.

This photo was taken at the Stasiun Jakarta Kota, where there are many Gojek ride-hailing motorbikes in a traffic jam.

The typical Indonesian Toilet setup includes a handheld bidet sprayer (which is always located on the right hand side of the toilet, when seated). Toilet paper is provided, and is used for drying the excess water on the bum from the bidet and not for cleaning the poop off! The toilet paper is not to be flushed down the toilet, but disposed of in the small wastebasket provided.

The toilet shown here also had a bidet built into the seat (fancy).

I personally have a handheld bidet sprayer at home, so it was nice travelling to a country that uses bidets extensively, as I believe it does a better job of cleaning (and refreshing too). In countries where toilet paper is not to be flushed down the toilet and do not use bidets, the toilet stalls tend to smell like poop, whereas it was not too smelly in Indonesian toilet stalls as the used toilet paper is not full of poop wipings.

The toilet pictured that is in Indonesia is located in the southern hemisphere, so I included a video of the toilet being flushed so you can observe the Coriolis Effect.

At the Indonesia Immigration counters, there is a friendly reminder not to tip the immigration officers!

In Jakarta, the front of the buses and commuter trains are reserved as a Women Only Section (Ruang Khusus Wanita). The designated seating areas reserved exclusively for female passengers is to provide safety and comfort, particularly during crowded commutes.

The OMO Burger is a half meter tall tower burger with 5 layers of meat patties, at the Ketapang Indah Hotel restaurant in Banyuwangi. The price is Rp125,000 [CAD $10.87].

I did consider ordering this, but I think it is designed to be shared as opposed to one person eating it.

There are things that are Prohibited on the Bus. The first four Prohibitive Ideograms were obvious ("No Smoking", "No Food or Drinks", "No Guns", "No Dogs"), but the fourth and fifth Prohibitive Ideograms took a bit of thought. The fourth one is likely "No Durian" (because of the smell?). The fifth one is likely "No Groping" or "No Sexual Harassment".

... or maybe the fourth one is "No Grenades", and the fifth one is "No Couples" (i.e. single people only).

Here is the Power Plug Adapter that I used during this trip. Indonesia uses Type C and Type F power outlets, which are the standard two-round-pin plugs commonly found across continental Europe. Using a single Type C to Type A converter, I connect a 3 port Type B splitter, which allows me to provide power to up to 3 of my devices. Here I am charging my two phones.

Here are the banknotes and coins which make up Indonesian Money. The official currency of Indonesia is the Indonesian Rupiah (IDR), symbolized as Rp. In this collection, for banknotes, we have:

Rp100,000 Rp50,000 Rp20,000 Rp10,000
Rp5,000 Rp2,000 Rp1,000

For coins, we have:

Rp1,000 Rp500 Rp100

The exchange rate of CAD to IDR I used on this web page is CAD 1 ↔ IDR 11,500

The tagline for Offle Waffle is, "DON'T TRY IT!", so of course I tried it. Specializing in bubble-shaped egg waffles, I got one with Nutella & Blueberry inside. Very tasty! Price was Rp30,000 [CAD $2.61].

Canang Sari are small, square, daily offerings made in Balinese Hinduism to express gratitude to the divine and appease spirits. They are made from a woven palm leaf basket filled with rice and colorful flowers, which are placed in specific directions to symbolize different gods. Other items like incense, sweets, and coins may be included.

Arak Berum is the sacred Balinese rice wine used in Hindu Dharma rituals. Made from fermented glutinous rice, palm flowers, and yeast, it is one of the three essential holy liquids (rajah, penek, berum). A small spout of Arak Berum is poured into every Canang Sari as tiga sesaji, symbolising divine light and power. Major purification ceremonies (pengelukatan, mecaru) and offerings are considered incomplete without it. Arak Berum is clear and colorless when freshly distilled and pure, so a small amount of red betel nut lime is added to make it bright red.

In Bali, one could not help notice the many Canang Sari and Arak Berum offerings placed on the sidewalk in front of houses and businesses. Care had to be taken when walking so not to step or kick these items!

I typically like to walk around the cities and towns I visit. What was immediately notice was the Crappy Sidewalks that Indonesia had. Some sidewalks were just covers over box culverts, and these covers were often broken (usually unmarked and dangerous as if you aren't paying attention, you can fall in). These are especially dangerous at night, because street lighting isn't always sufficient. Street vendors and vehicles will often block the sidewalk. I would say that from the places I visited in Indonesia, it is not pedestrian friendly.

Jakarta: Wonderloft Hostel

Date: 2025 September 25 - 30 (5 nights)

Nightly Rate: CAD $8.77

Location: Good, in Jakarta Kota Tua with lots of stuff around

Privacy: Good, as beds are in pods with privacy curtain

Locker: Yes, in the pod, electronic lock provided

WiFi: Good WiFi

Washrooms & Showers: OK, toilet and shower stalls are a bit small

Drinking Water: Yes

Meals Included: None

Air Conditioning: OK ... a bit weak

It was pretty easy getting to this hostel using public transportation from the airport, taking commuter trains. Located in Kota Tua, this was a decent hostel with several common areas. It is located close to the commuter train station and bus routes, and lots of food options nearby. A bath towel was included. In the bed pod was a power outlet, light, a fold out shelf, clothes hanger, and a locker. Privacy in the pod was very good with the curtain, but inside the pod, it was somewhat warm, so I slept with the curtain partially open so to let the air conditioned air flow in. Footwear was not allowed in sleeping area.

Bandung: Populair Hostel Braga

Date: 2025 September 30 - October 3 (3 nights)

Nightly Rate: CAD $5.33

Location: Good, on Braga Street with lots of stuff around

Privacy: Little privacy

Locker: Yes, next to bunk bed (locker key provided)

WiFi: OK WiFi

Washrooms & Showers: OK

Drinking Water: Yes

Meals Included: None

Air Conditioning: OK ... a bit weak

This hostel was OK, and appeared to be used mostly by Indonesian tourists. It is located on Braga Street, which has a lot of stuff there (shops, restaurants, street food). The closely placed bunk beds offered little privacy, so I utilized my towel and hoodie to provide a little bit of privacy. There was a power outlet and light for each bed, though the outlet was a bit high up in the wall, stretching my charging cables. Footwear not allowed in sleeping area.

Yogyakarta: Laura's Backpackers 523

Date: 2025 October 3 - October 7 (4 nights)

Nightly Rate: CAD $5.24

Location: OK, in a neighbourhood, 900m from train station

Privacy: Little (hung my towel and clothes for bunk bed privacy)

Locker: No

WiFi: Good WiFi

Washrooms & Showers: OK, toilet & shower in same stall

Drinking Water: Yes

Meals Included: Breakfast & Dinner (and good too!)

Air Conditioning: OK ... a bit weak

This is a backpacker hostel and was utilized by European type travellers. It is located a bit away from the main streets of Yogyakarta, and was in a residential neighbourhood. The combination shower/toilet stall was small, but workable. The breakfast and dinner were tasty and a nice to have. The bunk beds were basic and I hung my towel and hoodie to to provide some privacy. There was a power outlet near my bed, but no light. My room was next to the common area, so it was a bit noisy as I can hear people talking. Footwear was not allowed in sleeping area.

Surabaya: Livinn Hostel

Date: 2025 October 7 - October 10 (3 nights)

Nightly Rate: CAD $5.87

Location: Next to major modern shopping centre, 350m from train station

Privacy: Good, as beds are in pods with privacy blinds

Locker: No

WiFi: OK WiFi

Washrooms & Showers: OK

Drinking Water: Yes

Meals Included: Breakfast (bread and coffee)

Air Conditioning: Strong (too cold?)

This is a pod style hostel, so when the pod entrance blinds are closed, privacy was great. The pod has a power outlet, light, fold out shelf, and a clothes rack. The AC in the pod area was strong (cold), so I would go outside to warm up, or hang around the common area where it was cool. It was not close to bus lines (600m), but close to the train station. Once I discovered this hostel was next to a major shopping mall, I had a few meals in their nicely air conditioned food court. The shower stalls were a good size, but needed hooks or a rack in the stall for your towel and clothing, and a shelf for soap and shampoo. Footwear was not allowed in sleeping area.

Banyuwangi: Ijen Backpacker

Date: 2025 October 10 - October 13 (3 nights)

Nightly Rate: Rp80,000 [CAD $6.96]

Location: 200m from train station, 600m from ferry terminal

Privacy: Very Good, as bunk beds are surrounded by privacy curtains

Locker: Yes, under bunk bed (provide your own padlock)

WiFi: OK WiFi

Washrooms & Showers: OK, stall are a bit small

Drinking Water: Yes

Meals Included: No

Air Conditioning: OK ... a bit weak

There was plenty of street food nearby. Footwear was not allowed in sleeping area. A bath towel was provided. The bunk bed privacy curtains were very well deployed, providing very good privacy, but there was no bunk light, so when the curtains were closed, it was dark in the bed. Power outlets were provided at each bed. Besides my usual collection of insect bites on exposed skin, I started finding bites in "strange" areas. I started hunting around the bed and found a bedbug! I ended up finding 3 bedbugs in my sleeping area. Ugh!

Bali (Kuta): Celebbest Hostel

Date: 2025 October 13 - October 15 (2 nights)

Nightly Rate: CAD $5.74

Location: 350 m from Kuta Beach, 1.1 km from city bus stop

Privacy: None, 3 beds next to each other in a room

Locker: Yes (provide your own padlock)

WiFi: WiFi poor in room, OK in common area

Washrooms & Showers: Washroom seems dirty and the toilet was loose

Drinking Water: Yes

Meals Included: Brunch Pancakes

Air Conditioning: Not working in room

The location of this hostel was very good, being near the beach in a touristy area with restaurants and shops nearby. The pool was good too, being somewhat big for a hotel pool. However, the room was not so good. The air conditioner was not working and electric fans were provided for cooling (when I booked, it said the rooms had AC). It was very warm (30°C+) in the room, so I had two sweaty nights of sleep. If anything, it was a detriment to the two women roommates, as they got to see me sweaty wearing only boxer briefs for two nights! The bathroom toilet base was loose and rocked around when I sat in it. The bathroom mirror looked like it hasn't been cleaned in years. Also, WiFi in the room was spotty and I had to go out to the balcony or common areas to access the Internet. This appears to be a former hotel room, converted to be a 3 bed dorm. Footwear was allowed everywhere.

I initially booked 2 nights in this hostel, with the plan that if it was good, I would extend the stay. Needless to say, I changed hostels. For me, with no air conditioning, there was nowhere, other than the pool, to cool off after being out for the day, so thus the change of abode. One of the roommates wasn't happy and also changed hostels ... I think it was because of the hot room, but maybe it was because of me?

Bali (Kuta): Da Housetel Kuta

Date: 2025 October 15 - October 19 (4 nights)

Nightly Rate: CAD $8.04

Location: 2.5 km from Kuta Beach, 550 m from city bus stop

Privacy: Good, with privacy curtains

Locker: Yes (small, provide your own padlock)

WiFi: WiFi OK

Washrooms & Showers: OK, Stall size OK

Drinking Water: Yes

Meals Included: Dinner

Air Conditioning: OK ... a bit weak

The location of this hostel is a bit far from the beach (2.5 km) and away from the touristy areas. The facilities were good, which included a small swimming pool. Footwear was not allowed in the sleeping area AND the washrooms (which I didn't like, especially in the toilet stalls). The dinner provided was pretty good. Besides the privacy curtains at the bunk beds, they also had a mosquito net, which was useful as there seemed to be a lot of flying biting bugs around this place. There were power outlets for each bed, but no light.

This is a style backpacker hostel, so there were many Europeans here, a good common area for socializing, and live entertainment on the weekend.

This trip was my first return to Asia since 2018. It is a long flight between Asia and Canada (approximately 20 hours, with layovers), but the suffering is worth the reward of visiting a far away place. I found Indonesia to be hot and humid, but that was expected and it contributes to the experience of visiting the country. The organized chaos of the vehicle traffic, the great tasty food choices, and the hospitality of the Indonesians made for a great experience.

Highlights:

• Seeing the Blue Flame of Ijen Crater, especially surviving the hike and sulfuric gases,
• Visiting museums and learning about Indonesia
• Tasty and inexpensive food

Lowlights:

• Insect bites, especially the ones from bed bugs!

BONUS Feature: For this trip, I had published a daily diary of the events and my thoughts of the day; check it out at:

Trip Diary: 2025 Indonesia Trip